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Rip-off or Homage?

 
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.45chel



Joined: 26 Oct 2007
Posts: 2723
Location: Chambersburg

PostPosted: Thu May 29, 2008 4:08 am    Post subject: Rip-off or Homage? Reply with quote

While perusing other websites (yes, I actually do visit other sites) I came across this
http://youthoughtwewouldntnotice.com/blog3/?p=1059#comments




First impression was, "oh, he so snatched that concept!" A feeling that was reinforced when I read the comment about how he changed (or 'corrected') the name when his piece was challenged.

But I'm no talent --- and ya'll are.

I recognize that we are never completely unique beings, IMO. We go through life picking up bits of each other, brushing up against, experiencing transference, like a bit of bubblegum on someone's shoe...or , as Coppy mentioned in a previous thread, like Meatwad going about his business.
There is influence everywhere.

But when I saw American Influence for the first time, the feeling was so strong

and Rudd's piece just ticked me off. But I wasn't even ticked off enough to get angry. It was the discussion of the people on the above posted link that actually moved me to make this topic.


All cards on the table, I don't like Rudd's stuff. I think he tries too hard and I think there are far more talented people, BUT that's what art IS.
Opinions and emotions. I get that.
I realize I could be incredibly wrong. Rant over.
Back to purpose of post

Is ripping off ever okay?

what about being inspired by someone else?

And where is the line between ripping and inspiration?

What if you can do it better?
Is it okay then?



Your turn.
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anonymous_coward



Joined: 24 Oct 2007
Posts: 486

PostPosted: Thu May 29, 2008 5:50 am    Post subject: Reply with quote

I like it, i think using the same background color makes it obvious that it is homage, not copying. I wish he would have put Ronald in a different pose from the other piece however, that might have quelled a little of the controversy even.
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A Talking Horse



Joined: 22 Oct 2007
Posts: 139
Location: Cove Gap

PostPosted: Thu May 29, 2008 9:39 am    Post subject: Reply with quote

In art - the line is a bit finer...

I think he made the mistake of basing his piece off the same image of Ronald Mc Donald...

If he used a different Ronald, the comparison would be more stylistic...and not so direct.
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cookieclaygirl



Joined: 03 Dec 2007
Posts: 1777
Location: shippensburg

PostPosted: Thu May 29, 2008 10:42 pm    Post subject: Reply with quote

bansky's statement, to me, seemed to be stronger (in a political sense) and his technique and proportions are better. his use of color is stronger and it gives a better sense of form where as judd's value range isn't as varied.

his work reminds of the kid in high school that was always creating a political piece of art to shock someone, when it was trite and uninteresting. catches the eye at first, then you forget about it.

homages and rip offs. andy warhol walked this line, of course, with the bastarization of commerical art vs the art world. and the whole ready-made scene as well. in that sense, it was art because it was 'new and fresh'...whereas this 'homage' is imo, just trying to cause a ruckus for pr. which, i'll admit teeters on the warholian aspect of art and society.

and, yes, it is a fine line between homage and rip offs. our 'great masters'...the ones we learn from, look to ... we pay homage to them. i think, for me, the term 'homage' towards another artist and his/her work of art would be that of....a sort of...a sense of sacredness....that the person's work is held in revere with, looked up to and admired...to learn from them and their techniques to grow and explore your own personal work (hence the great masters...even the school of classicism...or neo-classicism ... rome looking back and paying homage to greek art/culture from respect and admiration)

respect and admiration...learning from and praising the work done by others...to me this is an 'homage' for the art sense (bear w/me and my lifetime of studying it..lol)...

judd's work seems to do neither for me and i'm guessing he's using it for sensationalism, much as jeff koons would w/his sculptures. he tried, he got his spotlight for a glimmer of time, but more than likely it will be forgotten. unless he thinks himself clever and will hit repeat. probably will. just like the kid in highschool creating for sensationalism.

sorry.

i'm off the soapbox now. i can literally talk HOURS on art.

it's what i do for a living. hehe...
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cookieclaygirl



Joined: 03 Dec 2007
Posts: 1777
Location: shippensburg

PostPosted: Thu May 29, 2008 10:59 pm    Post subject: Re: Rip-off or Homage? Reply with quote

.45chel wrote:


Is ripping off ever okay?



ok...god, i'm sorry...i had to write more...

ripping off...in the sense of copying from masters...can be a fundamental skill to learn from...to explore and develop your own techniques...in my drawing and painting classes i always have a few "learn from the great masters" assignments...because what better way than to learn from rembrandt, rubens, michaelangelo, davinci, prud'homme....

ripping off in the sense of "i'm gonna copy your art and sell it and make money" is artisically and morally wrong...it's essentially infringement of a piece of intellectual property and is, well...just wrong....

then we come to appropriation...which teeters on inspiration....we, as artists, go to museums and galleries to glean new ideas and techniques and subject...appropriation for the sake of developing your own ideas/aesthetics is part of the process but, much as before, appropriating for the sake of capitalizing on it is wrong again.





.45chel wrote:

what about being inspired by someone else?


nothing is wrong w/being inspired by others...as artists, we are visual collectors and again, by visiting galleries and museums all of this visual information bombards us and is stored in our collective unconscious...and this has been done forever for the most part...cavepaintings thru now. no one lives in a vacuum and we all evolve not just from our own ideas and imagination but from the visual info gathered from others.....nothing wrong w/outside inspiration ... it's how we learn more. van gogh looked back at michaelangelo...balthus looked back at rubens and vangogh and trickle down effect from there....this love of art and artists is part of the creation process so we need them in our lives to be inspired by. it's what propels us and pushes us to continue to strive to evolve our own work.



.45chel wrote:

And where is the line between ripping and inspiration?



for me, it's the direct emulation and for profit and notority. which fame/fortune, while it may be part of the equation, isn't all of the equation...capitalizing on your art *should* be a tertiary premise...not the primary. if it's the primary goal, then i question the intergrity of the piece of art. is it art then or is it 'commodity" (oh, god, i could roll for HOURS on that one...so i'll stop)..because art vs. commodity is a major area of my research/studies.... lol....




.45chel wrote:

What if you can do it better?
Is it okay then?



i see this two fold....version one being: inspiration....IF...inspiration from another artist has manifested itself into it's own entity that has surpassed the original, then the student becomes the master (so to speak)....we look to the great masters of art to not only emulate them but to become "one of them..."

version two: pilfering...er i mean ... "appropriation" of anothers to surpass the original. interesting. that's like someone emulating warhol and being more successful than him. it's like bastardizing the bastardized. LOL...i'm using warhol as a referece in this only because he would conceptually be the 'father" (grandfather??) of bansky then judd since they are paralleling themes of masscommuication/everyday images....i think in judd's case, since this was a rather specific question for the thread...i don't think judd surpassed him in any way, shape or form, only because his techniques aren't as structurally strong, his imagery was tritely repetive and his color scheme wasn't terrilby strong nor his value usage in it. i see his version of banky's work as a copy of somone emulating bob ross. cute, good job, but not quite. good try!

LOL...

shock for shock's sake in art could be a WHOLE thread in an of itself. and again, i could go for hours on that too. tying into that thought is that judd just seems to be trying to capture the essence of shock that perhaps bansky's originally did. but it's almost a mockery of the original, not a homage. imo.


.45chel wrote:


Your turn.


hehe...done for now o.O
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